Monthly Archives: October 2020

News: Customer experience and digital transformation concepts are merging during the pandemic

Customer experience and digital transformation are two terms we’ve been hearing about for years, but have often remained nebulous in many organizations — something to aspire to perhaps, but not take completely seriously. Yet the pandemic has been a forcing event for both concepts, thrusting the ideas front and center. Suddenly startups that help with

Customer experience and digital transformation are two terms we’ve been hearing about for years, but have often remained nebulous in many organizations — something to aspire to perhaps, but not take completely seriously. Yet the pandemic has been a forcing event for both concepts, thrusting the ideas front and center.

Suddenly startups that help with either of these concepts are seeing rising demand, even in a year with an overall difficult economic climate. If you are fortunate enough to be helping companies digitize a process or improve how customers interact with companies, you may be seeing increased interest from customers and potential acquirers (and this was true even before this year). A case in point is Twilio acquiring Segment for $3.2 billion recently to help build data-fueled applications to interact with customers.

Even though building a positive customer experience has never been completely about digital, at a time where it’s difficult to interact with customers in person, the digital side of it has taken new urgency. As COVID-19 took hold this year, businesses, large and small, suddenly realized the only way to connect to their customers was digitally. At that point, digital transformation became customer experience’s buddy when other ways of contacting one another have been severely limited.

Pandemic brings changes

Just about every startup founder I talk to these days, along with bigger, more established companies, talk about how the pandemic has pushed companies to digitally transform much faster than they would have without COVID.

Brent Leary, founder at CRM Essentials, says that the pandemic has certainly expedited the need to bring these two big ideas together and created opportunities as that happens. “The coronavirus, as terrible as it has been in so many ways to so many people, has created opportunities for companies to build direct-to-consumer (D2C) digital pipelines that can make them stronger companies despite the current hardships,” Leary told TechCrunch.

The cloud plays a big role in the digital transformation process, and for the last decade, we have seen companies make a slow but steady shift to the cloud. When you have a situation like we’ve had with the coronavirus, it speeds everything up. As it turns out, being in the cloud helps you move faster because you don’t have to worry about all of the overhead of running a business critical application as the SaaS vendors take care of all that for you.

News: Render raises $4.5M for its DevOps platform

Render, the winner of our Disrupt SF 2019 Startup Battlefield, today announced that it has added another $4.5 million onto its existing seed funding round, bringing total investment into the company to $6.75 million. The round was led by General Catalyst, with participation from previous investors South Park Commons Fund and a group of angels

Render, the winner of our Disrupt SF 2019 Startup Battlefield, today announced that it has added another $4.5 million onto its existing seed funding round, bringing total investment into the company to $6.75 million.

The round was led by General Catalyst, with participation from previous investors South Park Commons Fund and a group of angels that includes Lee Fixel, Elad Gil and GitHub CTO (and former VP of Engineering at Heroku) Jason Warner.

The company, which describes itself as a ‘Zero DevOps alternative to AWS, Azure and Google Cloud,’ originally raised a $2.25 million seed round in April 2019, but it got a lot of inbound interest after winning the Disrupt Battlefield. In the end, though, the team decided to simply raise more money from its existing investors.

Current Render users include Cypress.io, Mux, Bloomscape, Zelos, 99designs and Stripe.

“We spoke to a bunch of people after Disrupt, including Ashton Kutcher’s firm, because he was one of the judges,” Render co-founder and CEO Anurag Goel explained. “In the end, we decided that we would just raise more money from our existing investors because we like them and it helped us get a better deal from our existing investors. And they were all super interested in continuing to invest.”

What makes Render stand out is that it fulfills many of the promises of Heroku and maybe Google Cloud’s App Engine. You simply tell it what kind of service you are going to deploy and it handles the deployment and manages the infrastructure for you.

“Our customers are all people who are writing code. And they just want to deploy this code really easily without having to worry about servers, or maintenance, or depending on DevOps teams — or, in many cases, hiring DevOps teams,” Goel said. “DevOps engineers are extremely expensive to hire and extremely hard to find, especially good ones. Our goal is to eliminate all of that work that DevOps people do at every company, because it’s very similar at every company.”

Image Credits: Render

One new feature the company is launching today is preview environments. You can think of them as disposable staging or development environments that developers can spin up to test their code — and Render promises that the testing environment will look the same as your production environment (or you can specify changes, too). Developers can then test their updates collaboratively with QA or their product and sales teams in this environment.

Development teams on Render specify their infrastructure environments in a YAML file and turning on these new preview environments is as easy as setting a flag in that file.

Image Credits: Render

“Once they do that, then for every pull request – because we’re integrated with GitHub and GitLab — we automatically spin up a copy of that environment. That can include anything you have in production, or things like a Redis instance, or managed Postgres database, or Elasticsearch instance, or obviously API’s and web services and static sites,” Goel said. Every time you push a change to that branch or pull request, the environment is automatically updated, too. Once the pull request is closed or merged, Render destroys the environment automatically.

The company will use the new funding to grow its team and build out its service. The plan, Goel tells me, is to raise a larger Series A round next year.

News: How unicorns helped venture capital get later, and bigger

The venture capital industry’s comeback from fear in Q1 and parts of Q2 to Q3 greed is worth understanding. To get our hands around what happened to private capital in 2020, we’ve taken looks into both the United States’ VC scene and the global picture this week. Catching you up, there was lots of private

The venture capital industry’s comeback from fear in Q1 and parts of Q2 to Q3 greed is worth understanding. To get our hands around what happened to private capital in 2020, we’ve taken looks into both the United States’ VC scene and the global picture this week.

Catching you up, there was lots of private money available for startups in the third quarter, with the money tilting toward later-stage rounds.


The Exchange explores startups, markets and money. Read it every morning on Extra Crunch, or get The Exchange newsletter every Saturday.


Late-stage rounds are bigger than early-stage rounds, so they take up more dollars individually. But Q3 2020 was a standout period for how high late-stage money stacked up compared to cash available to younger startups.

For example, according to CB Insights data, 54% of all venture capital money invested in the United States in the third quarter was part of rounds that were $100 million or more. That worked out to 88 rounds — a historical record — worth $19.8 billion.

The other 1,373 venture capital deals in the United States during Q3 had to split the remaining 46% of the money.

While the broader domestic and global venture capital scenes showed signs of life — dollars invested in Europe and Asia rose, American seed deal volume perked back up, that sort of thing — it’s the late-stage data that I can’t shake.

To my non-American friends, the data we have available is focused on the United States, so we’ll have to examine the late-stage dollar boom through a domestic lens. The general points should apply broadly, and we’ll always do our best to keep our perspective broad.

A late-stage takeover

News: For the Theremin’s 100th anniversary, Moog unveils the gorgeous Claravox Centennial

It’s been a full century since Leon Theremin created the electronic instrument bearing his name, and to celebrate Moog is releasing what must surely be the best-looking (and may be the best-sounding) Theremin of all time: the Claravox Centennial. With a walnut cabinet, brass antennas, and a plethora of wonderful knobs and dials, the Claravox

It’s been a full century since Leon Theremin created the electronic instrument bearing his name, and to celebrate Moog is releasing what must surely be the best-looking (and may be the best-sounding) Theremin of all time: the Claravox Centennial.

With a walnut cabinet, brass antennas, and a plethora of wonderful knobs and dials, the Claravox looks like it emerged from a prewar recording studio, as indeed is the intention.

It’s named after Clara Rockmore, the Soviet musician who played the Theremin in the 1930s to wide acclaim (and probably puzzlement) and contributed significantly to the fame of the instrument and to its design.

The one she played, however, was a mere toy compared to the ones devised by electronic music trailblazer Bob Moog, who built his own from plans published in a 1949 magazine. Later he would iterate on and improve the instrument to make it the versatile yet distinctive Theremin that would become a staple in many genres alongside Moog’s own synthesizers.

The Claravox isn’t meant to be a display piece, though. It’s the ultimate Theremin, packed with modern and old-school tech. You can customize and switch between analog and digital oscillators; the wave shaping circuit is from the Etherwave Pro; there’s a built-in delay and preset storage; the inputs and outputs allow for use with lots of sources and controllers; there’s even a matching stand (sold separately).

It works the same as Theremins always have: the antennas detect the position of one’s hands (or other objects) in the range of their electric fields, and one controls pitch while the other controls volume. Playing the instrument is as much a performance as the music itself, as this excellent rendition of Debussy’s “Clair de Lune” shows:

Interested (and deep-pocketed) Theremin aficionados can pre-order their Claravox Centennial today for $1,499. It should ship in December — just in time for the holidays, if you want to surprise that special, synth-loving someone.

News: Harness delivers enterprise continuous integration on heels of Drone.io acquisition

In August, Harness made its first acquisition when it bought open source continuous integration startup Drone.io. The company didn’t waste any time building on that purchase, announcing a new enterprise continuous integration tool today to go alongside the open source project Drone has been building. The Harness software development platform consists of various modules and

In August, Harness made its first acquisition when it bought open source continuous integration startup Drone.io. The company didn’t waste any time building on that purchase, announcing a new enterprise continuous integration tool today to go alongside the open source project Drone has been building.

The Harness software development platform consists of various modules and the latest one helps with continuous integration, which is the build and test process that happens before developers start deploying their code changes.

As Brad Rydzewski, co-founder at Drone.io, explained it at the time of the acquisition:

“Drone is a continuous integration software. It helps developers to continuously build, test and deploy their code. The project was started in 2012, and it was the first cloud-native, container-native continuous integration solution on the market, and we open sourced it.”

Bansal indicated at the time of the acquisition that he wanted to build on that open source project and provide an enterprise commercial version, while continuing to support the open source project.

“This is really the first product in the industry that is bringing AI and machine learning into optimizing the build and test process,” Bansal said. That intelligence layer is what separates it from the open source version of the software, and the idea is to use machine learning to speed up the building and testing process.

The company is also announcing a new module around managing feature flags. These are elements developers leave in the code to limit the roll out of software, allowing them to see how the update is performing before rolling it out to the user base at large. The problem is these as these flags proliferate, they become difficult to manage, and the new module is designed to help developers understand and control the flags that exist in their code.

Bansal says his goal for the company has been to put the kind of automated software delivery pipeline that’s in place at the world’s largest tech companies within reach of every developer.

“[Our goal] is that every company in the world can have the same level of software delivery sophistication as a Google or Amazon or Facebook,” Bansal said.

Bansal founded AppDynamics, a company he sold to Cisco in 2017 for $3.7 billion. He launched Harness later that same year. The company has raised almost $80 million on a valuation of $500 million, according to Pitchbook data.

Bansal also started the venture capital firm Unusual Ventures in 2018 and as though he doesn’t have enough to do, he launched his third startup Traceable, a security company, in July.

News: ‘A Charlie Brown Christmas’ is now an Apple TV+ exclusive

On first screening, the network assumed it had a disaster on its hands. It was a quiet cartoon — more of a meditation on seasonal depression than a proper holiday film. The pacing was slow, it was voiced by a cast of amateur children and the soundtrack amounted to little more than the jazz piano

On first screening, the network assumed it had a disaster on its hands. It was a quiet cartoon — more of a meditation on seasonal depression than a proper holiday film. The pacing was slow, it was voiced by a cast of amateur children and the soundtrack amounted to little more than the jazz piano stylings of a mustachioed North Beach hipster nicknamed “Dr. Funk.”

Worst of all, “A Charlie Brown Christmas” actively railed against the commercialization of the season, primarily in the form of an extended monologue from the blanket-wielding Linus set in the context of Jesus’s nativity.

“[The executives said], ‘We’ll play it once and that will be all. Good try,’ ” producer Lee Mendelson told me in an interview back in 2006. “[Director Bill Melendez] and I thought we had ruined Charlie Brown forever when it was done. We kind of agreed with the network. One of the animators stood up in the back of the room — he had had a couple of drinks — and he said, ‘It’s going to run for a hundred years,’ and then fell down. We all thought he was crazy, but he was more right than we were.”

“A Charlie Brown Christmas” has, of course, endured. The 25-minute animated special has aired on network television every year since its 1965 debut. It ran on CBS until 2000 and then on ABC each year subsequently, including special broadcasts on its 40th and 50th anniversaries on 2005 and 2015, respectively. For its 55th anniversary, it won’t appear on network TV at all.

In October, Apple acquired the exclusive rights to the special, as part of its ongoing, billion-dollar Apple TV+ push. The deal with Wildbrain, Peanuts Worldwide and the now-late Mendelson’s production company makes Apple’s streaming platform the exclusive rights holder for Peanuts content. That means that subsequent specials “A Charlie Brown Thanksgiving” and “It’s the Great Pumpkin, Charlie Brown” will see a similar fate.

It’s become a familiar story in the era of streaming. Last year HBO Max locked down exclusive access to new episodes of “Sesame Street,” though that specific deal allowed for episodes to air on PBS at a later date. There’s a bit of a loophole here, too. The Peanuts deal requires Apple to offer the specials for free for a limited window. The “Great Pumpkin” will be free through the service from October 30 until November 1, “Thanksgiving” will be made available from November 25 to the 27 and “Christmas” will come decidedly earlier this year, from December 11 to the 13.

“[Peanuts creator Charles Schulz] would say things like, ‘I never thought it would be around 25 years later,’ ” his widow Jean Schulz told me in an interview for that same piece. “One of the reasons that Christmas is so great is that back in 1965 there were no VCRs or DVDs, so you saw that show once, and you had to wait a whole year to see it again. And when it came on, it still held up. It was still charming.”

More than a half of a century later, the special still qualifies as both. It’s a perfect artifact of American popular culture that is very much both a product of its own era and a gentle protest against it. Of course, all of the things that Linus warned us about back in 1965 have only compounded in the intervening decades. The media landscape, too, has transformed several times since then.

In a world in which change is the only constant, watching “A Charlie Brown Christmas” on TV has been something to rely on. This year, the short becomes the latest bit of content to get shoveled up in the great streaming wars of 2020, as media companies fight tooth and nail for back catalogues.

Cast as the perennial cynic and antagonist football mover, Lucy Van Pelt tells the titular character, “Look, Charlie, let’s face it. We all know that Christmas is a big commercial racket.” That, at least, hasn’t changed.

News: President Trump’s Twitter accessed by security expert who guessed password “maga2020!”

A Dutch security researcher says he accessed President Trump’s @realDonaldTrump Twitter account last week by guessing his password: “maga2020!”. Victor Gevers, a security researcher at the GDI Foundation and chair of the Dutch Institute for Vulnerability Disclosure, which finds and reports security vulnerabilities, told TechCrunch he guessed the president’s account password and was successful on

A Dutch security researcher says he accessed President Trump’s @realDonaldTrump Twitter account last week by guessing his password: “maga2020!”.

Victor Gevers, a security researcher at the GDI Foundation and chair of the Dutch Institute for Vulnerability Disclosure, which finds and reports security vulnerabilities, told TechCrunch he guessed the president’s account password and was successful on the fifth attempt.

The account was not protected by two-factor authentication, granting Gevers access to the president’s account.

After logging in, he emailed US-CERT, a division of Homeland Security’s cyber unit Cybersecurity and Infrastructure Security Agency (CISA), to disclose the security lapse, which TechCrunch has seen. Gevers said the president’s Twitter password was changed shortly after.

A screenshot from inside Trump’s Twitter account. (Image: Victor Gevers)

It’s the second time Gevers has gained access to Trump’s Twitter account.

The first time was in 2016, when Gevers and two others extracted and cracked Trump’s password from the 2012 LinkedIn breach. The researchers took his password — “yourefired” — his catchphrase from the television show The Apprentice — and found it let them into his Twitter account. Gevers reported the breach to local authorities in the Netherlands, with suggestions on how Trump could improve his password security. One of the passwords he suggested at the time was “maga2020!” he said. Gevers said he “did not expect” the password to work years later.

Dutch news outlet RTL News first reported the story.

In a statement, Twitter spokesperson Ian Plunkett said: “We’ve seen no evidence to corroborate this claim, including from the article published in the Netherlands today. We proactively implemented account security measures for a designated group of high-profile, election-related Twitter accounts in the United States, including federal branches of government.”

Trump’s account is said to be locked down with extra protections after he became president, though Twitter has not said publicly what those protections entail. His account was untouched by hackers who broke into Twitter’s network in July in order to abuse an “admin tool” to hijack high-profile accounts and spread a cryptocurrency scam.

A spokesperson for the White House and the Trump campaign did not immediately comment. A spokesperson for CISA did not immediately confirm the report.

Gevers has previously reported security incidents involving a facial recognition database used to track Uyghur Muslims and a vulnerability in Oman’s stock exchange.

Updated with Twitter comment. 

News: RepTrak partners with Onclusive to combine reputation and PR data

RepTrak and Onclusive are announcing a partnership that Onclusive CEO Dan Beltramo said will combine corporate reputation tracking and PR analytics for the first time. RepTrak, founded in 2004, helps businesses measure their reputations (and their competitors’ reputations) through a database of more than 1 million company ratings collected every year. Meanwhile, Onclusive (formerly known

RepTrak and Onclusive are announcing a partnership that Onclusive CEO Dan Beltramo said will combine corporate reputation tracking and PR analytics for the first time.

RepTrak, founded in 2004, helps businesses measure their reputations (and their competitors’ reputations) through a database of more than 1 million company ratings collected every year. Meanwhile, Onclusive (formerly known as AirPR) offers a variety of tools to analyze the impact of PR and earned media coverage on a company’s bottom line.

Those two areas might not sound dramatically different, but Beltramo said that for PR professionals, they represent two separate goals — and that RepTrak’s reputation data helps to fill in some of the areas that Onclusive was missing.

“We made our name in PR analytics, [measuring] what I would call bottom of the funnel,” he said. “It’s an important objective for PR: Are you driving sales? Are you driving downloads?”

By combining Onclusive’s data with RepTrak’s, Beltramo said they’re giving PR people “a good measure to shoot for at the top of the funnel” — and for some, improving reputation may be more important than driving sales: “At bigger companies with longer cycles and bigger issues, reputation is where the PR person’s psyche was focused.”

Conversely, he said that for a chief communications officer who’d previously paid more attention to high-level reputation, Onclusive’s provides more real-time data and tactical tools.

Beltramo added that there will be multiple stages to the partnership. First, the companies are working to present Onclusive’s media analytics in the RenTrak system. Eventually, information will be flowing in the opposite direction too, with Onclusive’s team figuring out how to incorporate RenTrak as well.

“I am pleased that our partnership with Onclusive will give our clients an even more proactive way to activate their reputation management efforts by using the RepTrak Platform to prioritize and diagnose opportunities and threats, then drill into the details of their media presence to take action,” said RepTrak CEO Kylie Wright-Ford in a statement. “The media and cultural environments are very dynamic right now, so companies need to have a complete set of accurate data to make the right decisions.”

News: Psykhe secures Seed funding to match consumer personalities to fashion products

In an overcrowded market of online fashion brands, consumers are spoilt for choice on what site to visit. They are generally forced to visit each brand one by one, manually filtering down to what they like. Most of the experience is not that great, and past purchase history and cookies aren’t much to go on

In an overcrowded market of online fashion brands, consumers are spoilt for choice on what site to visit. They are generally forced to visit each brand one by one, manually filtering down to what they like. Most of the experience is not that great, and past purchase history and cookies aren’t much to go on to tailor user experience. If someone has bought an army-green military jacket, the e-commerce site is on a hiding to nothing if all it suggests is more army-green military jackets…

Instead, Psycke ( it’s brand name is ‘PSYKHE’) is an e-commerce startup that uses AI and psychology to make product recommendations based both on the user’s personality profile and the ‘personality’ of the products. Admittedly, a number of startups have come and gone claiming this, but it claims to have taken a unique approach to make the process of buying fashion easier by acting as an aggregator that pulls products from all leading fashion retailers. Each user sees a different storefront that, says the company, becomes increasingly personalized.

It has now raised $1.7 million in seed funding from a range of investors and is announcing new plans to scale its technology to other consumer verticals in the future in the B2B space.

The investors are Carmen Busquets – the largest founding investor in Net-a-Porter; SLS Journey – the new investment arm of the MadaLuxe Group, the North American distributor of luxury fashion; John Skipper – DAZN Chairman and former Co-chairman of Disney Media Networks and President of ESPN; and Lara Vanjak – Chief Operating Officer at Aser Ventures, formerly at MP & Silva and FC Inter-Milan.

So what does it do? As a B2C aggregator, it pools inventory from leading retailers. The platform then applies machine learning and personality-trait science, and tailors product recommendations to users based on a personality test taken on sign-up. The company says it has international patents pending and has secured affiliate partnerships with leading retailers that include Moda Operandi, MyTheresa, LVMH’s platform 24S, and 11 Honoré.

The business model is based around an affiliate partnership model, where it makes between 5-25% of each sale. It also plans to expand into B2B for other consumer verticals in the future, providing a plug-in product that allows users to sort items by their personality.

How does this personality test help? Well, Psykhe has assigned an overall psychological profile to the actual products themselves: over 1 million products from commerce partners, using machine learning (based on training data).

So for example, if a leather boot had metal studs on it (thus looking more ‘rebellious’), it would get a moderate-low rating on the trait of ‘Agreeableness’. A pink floral dress would get a higher score on that trait. A conservative tweed blazer would get a lower score tag on the trait of ‘Openness’, as tweed blazers tend to indicate a more conservative style and thus nature.

So far, Psykhe’s retail partnerships include Moda Operandi, MyTheresa, LVMH’s platform 24S, Outdoor Voices, Jimmy Choo, Coach, and size-inclusive platform 11 Honoré.

It’s competitors include The Yes and Lyst. However, Psykhe’s main point of differentiation is this personality scoring. Furthermore, The Yes is app-only, US-only, and only partners with monobrands, while Lyst is an aggregator with 1,000s of brands, but used as more of a search platform.

Psykhe is in a good position to take advantage of the ongoing effects of COVID-19, which continue to give a major boost to global ecommerce as people flood online amid lockdowns.

The startup is the brainchild of Anabel Maldonado, CEO & founder, (along with founding team CTO Will Palmer and Lead Data Scientist, Rene-Jean Corneille, pictured above), who studied psychology in her hometown of Toronto, but ended up working at in the UK’s NHS in a specialist team that made developmental diagnoses for children under 5.

She made a pivot into fashion after winning a competition for an editorial mentorship at British Marie Claire. She later went to the press department of Christian Louboutin, followed by internships at the Mail on Sunday and Marie Claire, then spending several years in magazine publishing before moving into e-commerce at CoutureLab. Going freelance, she worked with a number of luxury brands and platforms as an editorial consultant. As a fashion journalist, she’s contributed industry op-eds to publications such as The Business of Fashion, T The New York Times Style, and Marie Claire.

As part of the fashion industry for 10 years, she says she became frustrated with the narratives which “made fashion seem more frivolous than it really is. I thought, this is a trillion-dollar industry, we all have such emotional, visceral reactions to an aesthetic based on who we are, but all we keep talking about is the ‘hot new color for fall and so-called blanket “must-haves’.”

But, she says, “there was no inquiry into individual differences. This world was really missing the level of depth it deserved, and I sought to demonstrate that we’re all sensitive to aesthetic in one way or another and that our clothing choices have a great psychological pay-off effect on us, based on our unique internal needs.” So she set about creating a startup to address this ‘fashion psychology’ – or, as she says “why we wear what we wear”.

News: Google Maps launches a new developer solution for on-demand ride and delivery companies

The Google Maps Platform, the developer side of Google Maps, is launching a new service for on-demand rides and delivery companies today that ties together some of the platform’s existing capabilities with new features for finding nearby drivers and sharing trip and order progress information with customers. This isn’t Google Maps Platform’s first foray into

The Google Maps Platform, the developer side of Google Maps, is launching a new service for on-demand rides and delivery companies today that ties together some of the platform’s existing capabilities with new features for finding nearby drivers and sharing trip and order progress information with customers.

This isn’t Google Maps Platform’s first foray into this business. Back in 2018, the company launched a solution for in-app navigation for ridesharing companies, for example. At the time, the team didn’t really focus on delivery solutions, though, but that’s obviously one of the few booming markets right now, thanks to the COVID-19 pandemic.

“Building on 15 years of experience mapping the world, the On-demand Rides & Deliveries solution helps businesses improve operations as well as transform the driver and customer journey from booking to arrival or delivery–all with predictable pricing per completed trip,” Google senior product manager Eli Danziger writes in today’s announcement.”

At the core of the service is the Google Maps routing service, which developers can tweak for deliveries by bike or motorcycle, for example, and to find optimized routes with the shortest or fastest path. The team notes that this so-called ‘Routes Preferred’ feature also enables arrival time predictions for time-sensitive deliveries and pricing estimates.

The other new feature of this platform is to enable developers to quickly build an experience that helps users find nearby drivers. Imaginatively called ‘Nearby Drivers,’ the idea here is about as straightforward as you can imagine and allows developers to find the closest driver with a single API call. They can also add custom rankings, based on their specific needs, to ensure the right driver is matched to the right route.

Unsurprisingly, the platform also features support for in-app navigation, and that’s tied in closely with the rest of the feature set.

Developers can also easily integrate Google’s real-time trip and order progress capabilities to “keep customers informed from pickup to drop-off or delivery, with a real-time view of a driver’s current position, route, and ETA.”

All of this is pretty much what any user would expect from a modern ride-sharing or delivery app, so for the most part, that’s table stakes. The technology behind it is not, though, and a lot of delivery companies have set up large tech operations to build out exactly these features. They aren’t likely to switch to Google’s platform, but the platform may give smaller players a chance to operate more efficiently or enter new markets without the added expense of having to build this tech stack from the ground up — or cobble it together from multiple vendors.

 

WordPress Image Lightbox Plugin