Yearly Archives: 2021

News: America’s innovators will solve climate change, not regulators

Our best hope for reducing carbon emissions isn’t new government spending. It’s a technological sea change — one that can only come from the private sector.

Quill Robinson
Contributor

Quill Robinson is the American Conservation Coalition‘s vice president of government affairs.

President Joe Biden has pledged to cut U.S. greenhouse gas emissions in half by 2030. He intends to meet this ambitious target through a wave of new federal spending and government programs.

But our best hope for reducing carbon emissions isn’t new government spending. It’s a technological sea change — one that can only come from the private sector.

In fact, the government is slowing progress against climate change by imposing regulations that prevent emissions-lowering technologies from reaching the market. If our leaders really want to save the planet, they need to get out of the way of entrepreneurs who can actually do so.

One would expect the government to embrace technology with the potential to cut carbon pollution. After all, Biden himself has promised to “spur American technological innovations” as part of his climate agenda.

Unfortunately, some of the most promising green tech breakthroughs face severe headwinds as a result of misguided or antiquated federal policies.

One such technology — profiled in “They Say It Can’t Be Done,” a new documentary on the relationship between innovators and regulations — is an artificial tree developed by Arizona State University physicist and engineer Klaus Lackner. These man-made trees contain a special plastic resin that can absorb carbon dioxide and release it when submerged in water. They’re 1,000 times more effective at taking in carbon dioxide from the air than natural trees. Once captured, this carbon dioxide can then be reclaimed and converted into fuel.

Lackner’s design could be scaled to produce units that each remove a metric ton of carbon dioxide daily. The main stumbling block is the lack of clear regulations surrounding carbon capture technologies — specifically the transport and storage of captured carbon.

Until a uniform federal framework exists, the process of bringing this technology to market will remain impossibly complicated and fraught with risk.

Or consider technologies that could reduce the need for large-scale livestock farming. Raising billions of chickens, pigs and cattle requires vast amounts of water, feed and land. The resulting carbon footprint is massive — about 7.1 gigatons of greenhouse gases a year.

Here too, new technologies could help reduce emissions. Researchers are designing cell-cultured meat — chicken, pork and beef produced in the lab rather than the feedlot. This lab-grown protein is safe, healthy and far less carbon-intensive than traditionally farmed meat.

One startup that makes lab-grown meat, Eat Just, recently obtained approval to sell its cell-cultured chicken in Singapore. But it’s still waiting on the green light from U.S. regulators. According to the firm’s founder, it could be another year — or more — before U.S. approval comes through.

For an industry as capital-intensive as cultured meat production, this sluggish approval process can make it impossible for a startup to launch and get its products to market.

High-tech solutions like these are precisely what’s required to protect our planet from the threat of climate change. While it is impossible to say whether lab-grown meat is the future of sustainable food or if artificial trees are the best solution for sequestering atmospheric carbon, an accessible and level regulatory playing field allows the best innovations to thrive.

Too many Americans believe that when it comes to climate change, only the government is up to the task. The fact is, the main barrier to large-scale adoption of sustainable technologies isn’t a lack of government involvement, but too much — or at least the wrong kind.

In order to make good on his promise to reduce the nation’s carbon footprint, the president and his team will need to recognize how government obstructs the development and deployment of technology that can fulfill that promise.

News: Uber adjusts third-quarter forecast in light of increased gross bookings

Uber said Tuesday that it could hit one measure of profitability in the third quarter, earlier than expected as the ride-hailing company saw gains in its delivery and mobility businesses. The ride-hailing service told regulators in a filing this morning that it anticipated an increase in gross bookings and stronger adjusted EBITDA in the quarter

Uber said Tuesday that it could hit one measure of profitability in the third quarter, earlier than expected as the ride-hailing company saw gains in its delivery and mobility businesses. The ride-hailing service told regulators in a filing this morning that it anticipated an increase in gross bookings and stronger adjusted EBITDA in the quarter than it had forecasted for shareholders in its last investor presentation.

The company now anticipates gross bookings for the current quarter to land between $22.8 billion and $23.2 billion, up from an initially-promised $22 billion to $24 billion range. The company’s forecasted adjusted EBITDA, an accommodating method of calculating profit, was also raised to between -$25 million and $25 million in the quarter ending Sept. 30, and improvement from the company’s previous anticipation of a result merely “better than a loss of $100 million.”

“They say that crisis breeds opportunity and that’s certainly been true of Uber during the last 18 months,” CEO Dara Khosrowshahi said in a statement.

Uber is now on track to adjusted EBITDA breakeven in quarter three, CFO Nelson Chai said – an achievement that may seem odd to those unfamiliar with the economics of ride-hailing, which is characterized by perilous unprofitability.

As TechCrunch’s Alex Wilhelm explains for ExtraCrunch, “adjusted EBITDA” is a way of calculating profit before interest, taxes, depreciation and other costs. Consider, for example, that Uber lost $6.77 billion in 2020 (admittedly an improvement from its previous yearly loss of $8.51 billion). But under adjusted EBIDTA accounting, those numbers dropped to losses of $2.73 billion and $2.53 billion, respectively.

Uber did not provide a full picture of its financials for the third quarter in its recent 8-K filing – that will come when the company reports its performance after the conclusion of Q3. However, it looks like the company may reach positive adjusted EBITDA by the fourth quarter, meeting a long-held promise to investors.

The ride-hailing giant further noted that its fourth quarter adjusted EBITDA is projected to land between $0 and $100 million, compared to the previously anticipated, and more generic expectation of merely “adjusted EBITDA profitability.” Uber cautioned that “significant forecasting uncertainty” may cause it to provide an updated forecast.

Still, for Uber the long march to adjusted profitability appears to finally be in sight. All it took was a global pandemic, layoffs, and far-higher prices for the achievement to be managed.

News: Really, this market isn’t good enough?

Klarna’s CEO says he’s ‘nervous’ to take the company public. But the public market for BNPL companies actually feels pretty strong at the moment.

It’s the first day of Disrupt, so things are a bit busy here at TechCrunch. In honor of that fact, entries from The Exchange concerning NFT volume viz recent marketplace valuations and how an accelerating pace of change helps startups by exposing more market voids will have to wait.

But we do have time this morning for a little incredulity, so let’s indulge.


The Exchange explores startups, markets and money.

Read it every morning on Extra Crunch or get The Exchange newsletter every Saturday.


CNBC reported today that Klarna CEO Sebastian Siemiatkowski is not enthused about present-day market conditions, and thus isn’t in a hurry to take his company public.

There’s some merit to the idea; after all, Klarna has shown a strong ability to raise huge sums of capital while private.

Why not just keep at it? In short, because the company has to either go public or sell itself to a larger company at some point. Given that we’ve already seen PayPal and Square cut checks to buy BNPL volume, the list of potential acquirers for Klarna is not as long as you might think. The company, flush with billions in private-market funding, will need to go public. It’s a simple question of when. 

Which makes the following all the more surprising. Via CNBC:

“The volatility in the market right now makes me nervous to IPO to be honest,” Siemiatkowski told CNBC’s Karen Tso at the London Tech Week conference on Monday. “I think it would be nice to IPO when it’s a little bit more sound. And right now it doesn’t feel really sound out there.”

Huh. Color us confused.

The public market for BNPL companies actually feels pretty damn strong at the moment.

Affirm, for example, is a BNPL company publicly listed in the United States. In Q2 2021 (Q4 fiscal 2021 for the company), Affirm reported gross merchandise volume of $2.5 billion, and revenues of $261.8 million. Those figures were up 106% and 71%, respectively. Affirm also posted a net loss of $128.2 million in the quarter, and $430.9 million in red ink during its most recent fiscal year (the 12 months ending June 30, 2021).

News: What’s happening today at TechCrunch Disrupt 2021

And we’re off to the races! Welcome to the official start of TechCrunch Disrupt 2021. Over the next three days, we play giddy host to icons, trendsetters and emerging technologies — plus a veritable panoply of innovative startups and the brilliant people behind them. Settle in and get ready to mine Disrupt for knowledge, trends,

And we’re off to the races! Welcome to the official start of TechCrunch Disrupt 2021. Over the next three days, we play giddy host to icons, trendsetters and emerging technologies — plus a veritable panoply of innovative startups and the brilliant people behind them.

Settle in and get ready to mine Disrupt for knowledge, trends, inspiration and opportunities to learn, build, scale and achieve your business goals. The issue is, of course, where to begin? Day one alone offers more than 36 sessions.

While we’re sure you can navigate a conference on your own, we’d like to call your attention to just a few of the sessions scheduled for today. Check the Disrupt agenda for exact times — it will automatically reflect whatever time zone you call home.

Late-comers always welcome: Buy your full access Disrupt 2021 pass here. Just looking for a taste of Disrupt – try out just the Expo and breakout sessions for free here.

Where to Cut and Where to Spend in First-Check Fundraising: Every time a founder raises financing, they usually have one goal: growth. But what does that actually mean? And how do you begin divvying up your new capital between your startup’s various goals? In this panel, which includes Harlem Capital’s Henri Pierre-Jacques, Equal Ventures’ Richard Kerby, and BBG Ventures’ Nisha Dua, you will learn how to spend your investment the best way, balancing runway with classic startup rigor.

Pot, Pottery and Beyond: Somehow, we live in world where alcohol is sold in grocery stores and weed is considered a gateway drug. But that is rapidly changing. The legalized cannabis industry is estimated to be worth more than $13 billion in 2021, and major players from big food, pharma, etc. all want a slice of the pie. Hear from actor and comedian Seth Rogen on his well-known passion for pot, and how it led him to start Houseplant. Rogen will also be joined by Houseplant chief commercial officer Haneen Davies and co-founder and CEO Michael Mohr.

Startup Pitch Feedback Sessions: Grab your note-taking method of choice and tune-in as startups exhibiting in Startup Alley pitch to, and receive feedback from, pitch-savvy TechCrunch staff. You’ll benefit from seeing how others present, and you might even pick up valuable advice to enhance your skills.

How to Cultivate a Community for your Company that Actually Lasts: There’s no doubt about it: the word of the year in startupland is “community.” In this panel, Community Fund’s Lolita Taub, Commsor’s Alex Angel, and Seven Seven Six’s Katelin Holloway will extract buzz from reality and help founders understand the growing importance of chief community officers in startup culture and, ultimately, financial success today.

There’s plenty more startup goodness awaiting you, and don’t worry about any schedule conflicts — your pass includes access to video-on-demand. Go forth, explore, connect and collaborate. In other words, make TechCrunch Disrupt your own!

News: Tumblr’s subscription product Post+ enters open beta after much scrutiny from users

Tumblr is entering open beta for its subscription product Post+, meaning that all U.S. users can now try out the monetization feature. The product launched in closed beta in July, allowing users hand-picked by Tumblr to place some of their content behind a monthly paywall. This marked the first time that Tumblr allowed bloggers to

Tumblr is entering open beta for its subscription product Post+, meaning that all U.S. users can now try out the monetization feature. The product launched in closed beta in July, allowing users hand-picked by Tumblr to place some of their content behind a monthly paywall. This marked the first time that Tumblr allowed bloggers to monetize their content directly on the platform, but the feature was met with backlash from users who worried about how the feature would change the site’s culture.

Now, Tumblr has responded to user feedback by removing the blue Post+ badge that appeared next to the names of users who enabled the feature. Tumblr differentiates itself from other sites by not revealing users’ follower and following counts, so users were concerned that this distinction, which looked like a Twitter verification badge, contradicted that key aspect of Tumblr culture. Tumblr is also adding a $1.99/month price point in open beta — before, subscriber-only content could be priced at $3.99, $5.99, and $9.99. Tumblr will only take 5% of creator profits — comparatively, Patreon takes between 5% and 12% depending on the tier. Payments will be processed through Stripe.

Still, Tumblr users were dismayed by the way Post+ was rolled out. Many bloggers were concerned that in the closed beta, Post+ users didn’t have the ability to block paying subscribers without first contacting support — this could potentially expose users to harassment without the tools to manage it. Tumblr corrected that mistake in the open beta, so now, users can block subscribers themselves. Creators can also put existing content behind the Post+ paywall.

Some users upset with the Post+ rollout staged a protest, which — with over 98,000 notes — is the first thing that shows up when you search “post plus” on Tumblr. Many people on Tumblr have amassed followings by posting iterative fan content, like fanfiction. Tumblr cited fanfiction as an example of the kind of content that creators can put behind a paywall, but users remain concerned that they will be subject to legal action if they were to do so. Archive of Our Own, a major fanfiction site, prohibits its users from linking to sites like Patreon or Ko-Fi, since some intellectual property rights holders can be litigious about the monetization of fanfiction. While it’s considered fair use to make fan content, profiting from it can be considered a violation of copyright.

When Tumblr banned pornographic content in 2018, monthly page views decreased by 29% — to date, the blogging platform hasn’t regained that traffic. After being sold to Automattic in 2019, Tumblr has committed to capturing the attention of Gen Z audiences, who the platform says make up about 48% of its users. Tumblr says it’s catering Post+ to serve Gen Z audiences, but the results of the open beta will begin to reveal whether or not this is what users on the platform want.

News: Niio announces $15M Series A following strategic partnership with Samsung Displays

Niio, a Tel Aviv-based digital art platform featuring work ranging from contemporary artists and galleries through to NFTs, announced today it has closed $15 million Series A funding in the wake of a strategic partnership with Samsung Displays, announced last week. The round was co-led by L Catterton, a joint venture between LVMH and Catterton, Entrée Capital

Niio, a Tel Aviv-based digital art platform featuring work ranging from contemporary artists and galleries through to NFTs, announced today it has closed $15 million Series A funding in the wake of a strategic partnership with Samsung Displays, announced last week.

The round was co-led by L Catterton, a joint venture between LVMH and Catterton, Entrée Capital and Pico Venture Partners. Additional investors also joined, including Saga VC, as well as leading artists, art collectors, museums, gallerists and trustees at institutions such as MOMA and Guggenheim as well as Shalom McKenzie, an online gambling entrepreneur and investor who also invests in NFTs. Prior to the Series A round, Niio had raised $8 million, initially from strategic angels, followed by a seed round from institutions in 2017.

Niio will use its capital to grow its artist community and scale its app-enabled subscription and purchase platform, which is blockchainbased and will include a trading-enabled marketplace for NFTs and other digital art assets.

“Digital art has become an accepted, mainstream medium with the market accelerating largely due to the explosive growth of NFTs,” said Niio CEO and co-founder Rob Anders. “The transformation people are experiencing is the most significant and consequential moment for culture in decades, making new kinds of art accessible and experienced on screens in ways like never before.”

Niio’s technology enables users to stream digital artwork on any digital screen, bridging the gap between art and creating a platform similar to what music and entertainment streaming services have done for albums and movies.

Niio, founded by Rob Anders and Oren Moshe in 2014, combines an accessible streaming subscription service alongside the ability for people to purchase editioned NFT artwork directly from artists, galleries and content owners, through its public marketplace or via private transactions, Anders told TechCrunch.

Niio is launching its subscription service at the end of 2021 followed by its NFT marketplace — which makes Niio, backed by a global community of art professionals, the most comprehensive end-to-end solution for the digital art medium and ensuring that premium digital art is easily accessible by anyone on any screen, Anders continued.

By providing Niio’s tools to a global community of 6,000 galleries, institutions and artists, Niio’s platform and blockchain enables artists to distribute, manage, monetize and preserve their work.

Niio claims it will be free for all artists, forever, to respect and support the creative community and artists’ ability for publishing, managing and protecting their life’s work.

“We have realized our vision for a platform that first and foremost empowers artists and enables their work to be experienced digitally and available globally. We are gratified by the trust that more than 6,000 artists have placed in us — as we enable them to publish, manage protect and monetize their life’s work,” Niio co-founder Oren Moshe said.

Approximately 10,000 global business customers have been using the Niio platform for the past two to three years, Anders said. Clients range from art professionals, including galleries, museums, studios and art schools, to luxury brands, hotel chains and real estate developers, who subscribe and display curated art streams from the 15,000 premium works available on the platform, to millions of people across public spaces and places in over 30 countries, Anders said.

“There are over 1 billion smart TVs in the market and our partner Samsung has 30-40% of the market contributing to our ability to offer a ‘last mile’ proposition,” Anders said.

The digital art market is projected to be approximately $50 – $100 billion by 2025, according to Anders.

“Digital art has long been on our radar at L Catterton. We are very bullish on its future, and our ongoing evaluation of the sector brought us to Niio,” said Michael Farello, managing partner at L Catterton’s Growth Fund. “We are convinced that their platform approach including both subscription and an NFT offering combined with the reputation they have built in the critical artist community and the validation from their partnership with Samsung – will make them a market leader.”

News: NEX raises $25M, launches Active Arcade to get people moving

There is a physical activity deficit in our world. Three fourths of adults say staying in shape is very important for health benefits. Yet, one in four adults and 81% of adolescents are insufficiently physically active, according to the World Health Organization. Even before COVID-19, less than 24% of children 6 to 17 years of

There is a physical activity deficit in our world. Three fourths of adults say staying in shape is very important for health benefits. Yet, one in four adults and 81% of adolescents are insufficiently physically active, according to the World Health Organization. Even before COVID-19, less than 24% of children 6 to 17 years of age did 60 minutes of physical activity daily, as per Centers for Disease Control and Prevention (CDC).

Working from home and staying at home during the pandemic exacerbated being physical inactivity. Most people opt for sedentary entertainment that involves minimal movement like watching movies or streaming live concerts, playing video games and throwing virtual parties.

To solve the global problem of inactivity by creating new ways to encourage active play for everyone, NEX, a San Jose and Hong Kong-based motion entertainment startup, is building motion entertainment – content that encourages physical movement. It is now announcing a $25 million Series B round to coincide with launch of Active Arcade, its new mobile AI interactive motion-tracking game.

The new funding was led by Blue Pool Capital, with participation from Samsung Ventures, SparkLabs and Susquehanna. This round also attracted influencers in sports, entertainment industries and business executives including Simu Liu (Shang-Chi), Albert Pujols (LA Dodgers), Thierry Henry (Arsenal Legend), Sabrina Ionescu (WNBA), tech CEOs and founders from YouTube, Dapper Labs, Alchemy, OpenDoor, WordPress and executives from Zendesk, Uber, MasterClass and Facebook.

This latest round comes after NEX raised an $8.5 million Series A in 2019 from the NBA, Will Smith’s Dreamers Fund, and the Alibaba Entrepreneurship Fund. It also previously raised a $4 million seed round from Charmides Capital, Harris Blitzer Sports & Entertainment Ventures and Mandra Capital, Steve Nash, Jeremy Lin and Mark Cuban in 2018. Many other leaders in sports, media and technology have also baked NEX.

The Series B round brings NEX’s total raised so far to $40 million.

NEX was founded in 2018 by David Lee, Philip Lam and Reggie Chan, with a mission to transform passive activity into active play through apps like Active Arcade. Its first app, HomeCourt, has been played in more than 200 countries.

“A pandemic drew even more attention to the already huge and growing problem of more sedentary lifestyles across the world,” said Dave Lee, CEO and co-founder of NEX. “Having fun while moving is one of the purest definitions of play. But unlike the old days, the standard of engagement for active play must be on par with the best video games. It was apparent to us that accessible motion-based entertainment was the answer to a global need for more physical activity.”

Some people say that they don’t have enough time for physical activity, but the real problem is the idea that leisure time is supposed to be spent doing things that are fun and easy while getting active is perceived as expensive, time consuming and hard.

NEX’s newly launched Active Arcade, with a collection of motion games, helps both kids and adults move more by playing games. It is accessible to everyone, everywhere by any computing device with a camera, like smartphone, tablets, laptops and desktops.

Unlike other motion-based entertainment companies’ products that require expensive gear like a VR headset, connected hardware or game consoles, NEX develops motion-based entertainment apps without requiring special equipment, monitors, or a subscription.

Anyone can play Active Arcade using their body movement. Each game has different game play, style and depth, so there’s something for players of any age or level of activity.

“There are many high-tech exercise programs global companies developed in the motion-based entertainment industry, but most of them require expensive new equipment or a steep learning curve,” said Alex Wu, vice president of Strategy, MarComm and Partnerships at NEX.

With a proprietary combination of AI using mobile and vision technology, NEX merges the digital and physical worlds into a phone application that can create games like Active Arcade.

This summer, the company launched its limited test version of Active Arcade, Lee said.

NEX launched its first AI-based basketball training app HomeCourt in 2018, which was demoed on stage alongside Steve Nash at an Apple iPhone special event.

“I am constantly looking to invest in companies and products that I can stand behind and that are in line with my values. Nex’s approach to get kids and adults moving more and transforming activity into a play, is a mission I am wholeheartedly behind,” Steve Nash, Brooklyn Nets Coach and 2x league MVP said.

“We continue to be proud of the team at NEX as they take this significant next step in transforming activity into play for people around the world,” said Chip Austin, General Partner of Harris Blitzer Sports & Entertainment Ventures. “We embrace their important vision and are impressed by their leadership and technology.”

News: Salesforce reaches Net Zero energy usage, announces updates to Sustainability Cloud

Salesforce has often preached about responsible capitalism, and today at Dreamforce, the company’s annual customer extravaganza, it announced a notable achievement in the battle against global climate change. The company said that it has achieved effective Net Zero energy usage across its entire value chain with 100% renewable energy, while purchasing carbon offsets when that’s

Salesforce has often preached about responsible capitalism, and today at Dreamforce, the company’s annual customer extravaganza, it announced a notable achievement in the battle against global climate change. The company said that it has achieved effective Net Zero energy usage across its entire value chain with 100% renewable energy, while purchasing carbon offsets when that’s not possible.

At the same time, it announced updates to the Sustainability Cloud, a product that the company sells to other organizations to manage their climate initiatives, proving you can be responsible, and still be capitalists. Suzanne DiBianca, chief impact officer & EVP for corporate relations at Salesforce, speaking at yesterday’s Dreamforce press event says the company is proud to be an example of a large organization taking positive climate action.

“I’m very excited about our commitment to climate action around being a Net Zero company today. And this is not in 2030, not in 2040, not in some other future moment. We know we have to accelerate, and we have gotten to Net Zero today including our entire value chain, which is Scope 1, 2 and 3. Very few companies have gotten here,” she said.

There is a lot of sustainability jargon there, so we spoke to Ari Alexander, GM of Sustainability Cloud to break it down for us. Alexander explained that the sustainability community measures a company’s carbon footprint in three main areas known as Scope 1, Scope 2 and Scope 3. “Scope 1 and 2 are what you own, what you operate, what you control and then what energy is procured in order to power your operation,” he said.

Scope 3 is everything else your company touches, which is referred to as ‘up and down the value chain’ in industry parlance. “The vast majority of the emissions that a company is responsible for are actually not in their direct operational control, but relate to their upstream suppliers that they procure goods and services from, or in the case of other industries the downstream use of the product or the life of a product,” he said. A downstream example might be what happens to your phone after you trade it in for a new one.

So when Salesforce says that it’s Net Zero up and down the value chain, it involves everything it controls and every company it interacts with in the act of doing business. Because there are so many variables here outside of Salesforce’s control, Alexander says when the company can’t ensure that a partner or vendor is in compliance with the standard set by the company, it buys what he calls “high quality carbon offsets.”

“Also for where we can’t do that immediately, we are purchasing high quality carbon offsets to make up the difference to be able to be fully Net Zero now, while we continue on that really important journey of reducing to absolute zero across the supply chain [over time],” he said.

In addition, the company announced updates to the Sustainability Cloud, the commercial tool it has developed to sell to other companies, using the same tools and technology that Salesforce is using in-house.

“Sustainability is undergoing a transformation in that it’s going from something that’s a nice to have to something that’s actually at the heart of business transformation itself. That it’s one of the mega trends of our time and growing exponentially every year, and part of what that means is that companies are moving significant resources in order to respond to the climate crisis and moving sustainability to the core of how they do business,” Alexander said.

At the same time, the company published a blueprint based on its own plans to be a more sustainable organization called the Salesforce Climate Action Plan (link to pdf) that it is making available for free online.

The company also announced plans to accelerate its tree planting goals to grow 30 million trees this year. This involves working with other organizations to plant, grow and restore 100 million trees in a 10 year period, a goal that they have been pushing to make happen much sooner.

Company president and COO Bret Taylor speaking at the Dreamforce press event said that the climate crisis has had an impact on everyone, and he believes Salesforce can have a meaningful impact based on its behavior while acting as an example for other organizations.

“We’re showing up at Dreamforce, […] really to recognize that we think business is the greatest platform for change and to paint a picture of this vision for inspiring every organization to become a trusted enterprise and address these crises [like climate],” Taylor said.

News: Ben Rubin, who founded Houseparty, Meerkat and Slashtalk, will peer into the future of social at Disrupt

Ben Rubin understands where social is going. In fact, he understands it so well, he’s always there early. Rubin is the current CEO and co-founder of Slashtalk and an angel investor who scouts for Sequoia Capital. He previously founded Houseparty and Meerkat — apps that pioneered group video chat and mobile livestreaming, respectively — shaping

Ben Rubin understands where social is going. In fact, he understands it so well, he’s always there early.

Rubin is the current CEO and co-founder of Slashtalk and an angel investor who scouts for Sequoia Capital. He previously founded Houseparty and Meerkat — apps that pioneered group video chat and mobile livestreaming, respectively — shaping massive social trends in their earliest stages.

In 2015, Meerkat took SXSW by storm. The app seemed to have captured lightning in a bottle, and entrenched players in social noticed. Twitter was early to the trend too, having bought Periscope earlier that year, and leveraged Meerkat’s momentum to attract people to its own product. Half a year later, Facebook vaulted into the space with Facebook Live.

Meerkat didn’t keep up, but it did transform. In 2016, the same team launched Houseparty, a group video chat app geared toward connecting established friends in casual virtual hangouts rather than streaming to the masses. Three years later, in a world not yet ravaged by the pandemic, it sold to Fortnite maker Epic Games.

With people driven indoors and away from IRL social interactions, Houseparty boomed. In a single month during the pandemic’s early phase, the app saw 50 million new signups and hit the top of the charts across the iOS App Store and Google Play. But Houseparty struggled to retain users, and by fall of 2021 Epic announced that it would unceremoniously wind down the project and pull Houseparty from app stores.

Only time will tell if Houseparty’s technology will play a role in Epic’s vision for the metaverse — an interconnected series of seamless virtual worlds for people to explore and socialize in. But regardless of the app’s eventual fate, Houseparty’s take on social spontaneity and casual group video was ahead of its time.

If anyone is well positioned to know where social networks are going in the near future, it’s probably Rubin. He’s now working on Slashtalk, “an anti-meeting tool for fast, decentralized conversations.” Slashtalk’s ethos echoes both Meerkat and Houseparty’s belief in social serendipity, but this time Rubin is focused on the workplace rather than consumer social.

Rubin will join us onstage at TechCrunch Disrupt 2021 to talk about his new company and the trends powering current upheavals in social networking, from decentralization and ownership to the future of a connected post-pandemic world.

News: Business Canvas, a Korea-based document management SaaS company, closes $2.5M seed round

Business Canvas, the South Korean document management SaaS company behind Typed, announced today it has raised a $2.5 million seed round led by Mirae Asset Venture Investment, with participation from Kakao Ventures and Nextrans Inc. The seed round will be used for accelerating product development and the global launch of an open beta for its

Business Canvas, the South Korean document management SaaS company behind Typed, announced today it has raised a $2.5 million seed round led by Mirae Asset Venture Investment, with participation from Kakao Ventures and Nextrans Inc.

The seed round will be used for accelerating product development and the global launch of an open beta for its AI-powered document management platform. The company opened an office in Santa Clara, California this year to spur its global expansion.

The problem that Business Canvas has identified and is building solutions to target is the challenge faced by people who are tasked with ingesting information and producing writing or decisions based on that: lawyers, entrepreneurs, researchers, students and communications workers like journalists among them. People are bombarded with information these days, thanks to technology. That might be good in some cases, but in the world of work, and specifically written work, there is such a thing as too much information, which can take a lot of time to process, and thus eat into the time we need to produce work based on that information.

Business Canvas, founded in 2020 by CEO Woojin Kim, Brian Shin, Seungmin Lee, Dongjoon Shin and Clint Yoo, is hoping to solve the challenge that every knowledge worker and writer faces: spending more time on research and file organization than the actual content output they need to create.

“In fact, people commit over 30% of their working hours trying to search for that file we once saved in a folder that we just cannot find anymore,” Kim said.

Through a network that intelligently tracks and organizes files based on the user’s interactions, Typed brings together knowledge from different websites and applications into one simple-to-use and quick-to-learn digital workspace.

Strictly keeping its users’ information and their confidential files uninterrupted, Typed does not access the content of users’ documents but utilizes them as machine learning data, Kim told TechCrunch. It collects users’ actions as data points, merging this with publicly available metadata from documents and resources under users’ permission, Kim added.

“Modern document writing has not changed since the 1980s,” Yoo said. “While we have more knowledge at our fingertips than ever before, we use the same rudimentary methods to organize and make sense of it. We want any writer — from lawyers and entrepreneurs to researchers and students — to focus on creating great content instead of wasting time organizing their source material. We achieved this by making knowledge management more like the way our brain operates.”

Since the launch of the closed beta test in February 2021, Typed has seen significant user growth, with 25,000 files uploaded and 350% month-over-month active user growth. It does not disclose active user numbers but said that it currently has more than 10,000 users on the waitlist.

Typed will be available through a freemium model and is currently accepting beta registrations on its website.

“When we tested our closed beta, our metrics showed top traction among students as well as journalists, writers and lawyers, who require heavy research and document work on a frequent basis. We opened up access earlier this month for the waitlists in over 50 countries. These are primarily B2C users,” Kim told TechCrunch. “As for B2B, we are currently in the process of proof-of-concept for one of the largest conglomerates in South Korea. Smaller teams like startups, boutique law, consulting firms, venture capitals and government institutions also have been adopting Typed as well.”

“While the company is still in its nascent stage in its development, Typed has the potential to fundamentally change how we work individually or as a team. If there is a business to take on our outdated way of writing content, it’s them [Typed],” Shina Chung, Kakao Ventures CEO said.

The global market size for social software and collaboration SaaS is estimated at $4.5 billion in 2021, increasing over 17% year on year, Kim said.

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